Aoife O’Donovan
Grammy award-winning artist Aoife O’Donovan operates in a thrilling musical world beyond genre. Deemed “a vocalist of unerring instinct” by the New York Times, she has released three critically-acclaimed and boundary-blurring solo albums including her most recent record, 2022’s boldly orchestrated and literarily crafted Age Of Apathy. Recorded and written over the course of Winter and Spring 2021 with acclaimed producer Joe Henry (Bonnie Raitt, Rhiannon Giddens), Age Of Apathy is “stunning” (Rolling Stone) and “taps into the propulsion of prime Joni Mitchell” (Pitchfork).

HISS GOLDEN MESSENGER

“I went looking for peace,” says songwriter M.C. Taylor of Hiss Golden Messenger about his new album Quietly Blowing It on Merge Records. “It’s not exactly a record about the state of the world—or my world—in 2020, but more a retrospective of the past five years of my life, painted in sort of impressionistic hues. Maybe I had the presence of mind when I was writing Quietly Blowing It to know that this was the time to go as deep as I needed to in order to make a record like this. And I got the time required in order to do that.” He pauses and laughs ruefully. “I got way more time than I needed, actually.”

Quietly Blowing It was written and arranged by Taylor in his home studio—his 8’ × 10’ sanctuary packed floor to ceiling with books, records, and old guitars—as he watched the chaotic world spin outside his window. “Writing became a daily routine,” he explains, “and that was a ballast for me. Having spent so much time on the road over the past ten years, where writing consistently with any kind of flow can be tricky, it felt refreshing. And being in my studio, which is both isolated from and totally connected to the life of my family, felt appropriate for these songs.” Between March and June, Taylor wrote and recorded upwards of two dozen songs—in most cases playing all of the instruments himself— before winnowing the collection down and bringing them to the Hiss band. In July, the group of musicians, with Taylor in the production seat, went into Overdub Lane in Durham, NC, for a week, where they recorded Quietly Blowing It as an organic unit honed to a fine edge from their years together on the road.

Premium Seats are available in the first several rows for each show. Go to the seat map on the ticketing page for each show to see the actual layout. We have reduced each row from 16 seats to 12 seats so we can provide increased space between patrons. Seats 13 to 16 on the seat maps for each show have been deleted to allow for this additional space. Seats 1 through 12 are available for sale.

Kids age 12 and under are admitted free if accompanied by a ticket holder, courtesy of Jeanne D’Arc Credit Union.

All sales are final. No request for cancellations, exchanges, changes or refunds shall be honored.